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BIO |
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Return to Roots: Marc Cary's FOCUS
Trio Revisits Acoustic Jazz Marc Cary stands on an unshakable reputation
as pianist dedicated to the craft. His fresh styling shows his expansive
vocabulary. Cary's earnest orientation towards jazz, where much of his
musical foundation lies, proves that he has internalized the idiom. Take
his seminal masterwork, Rhodes Ahead Vol 1., released in 2000, is considered
by many to be a classic; the Fender Rhodes-laden record signifies 70s
free jazz, where the electric piano was often-times the sonic weapon
of choice. This time around, Cary is going retro and returning to a full
acoustic setting. With the FOCUS Trio, featuring Samir Gupta on tabla
and drums and David Ewell on bass, Cary's current vision is to bring
together East Indian, West African and Native America musical traditions
together in an all acoustic setting and blending it into African-American
musical culture: jazz. "Jazz is the rhythmic approach I'm coming from with FOCUS
Trio," explains Cary. FOCUS Trio will release Focus on Motema on
June 27. Cary has had a penchant for cross-cultural musical fertilization.
He has fronted several ensembles, each one different musical directions. |
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Indigenous People, which mixes
acoustic, electric and is heavily percussive, is an group that Cary constructed
in 1998 and he refers to it as the blueprint of his signature sound.
Indigenous People recorded a live album in Brazil in 1999 which was positively
received. Cary also leads the XR Project (Crossroads Project) which he
explains as an extension of Indigenous People but with more of an underground
and hip hop flavor. Crossing over additional musical territories, Cary
produces house music and electronica under the handle, Marco Polo and
has recently worked with Louie Vega. Cary has been an architect of the
zeitgeist that championed the organic, acoustic sound during the late
80s, early 90s. He was part of the Young Lions collective that included
trumpeter Roy Hargrove, on which Cary was part of the personnel on albums
like The Vibe and Hardgroove, staples in Hargrove's catalog. Cary's own
discography list solo records such as 1995's Cary On, 1997's Listen and
1998's The Antidote, have been each received with critical acclaim. Cary
foray into music began with playing drums and trumpet.
As a youth in Washington, D.C. he paid dues as a member of the Hi Integrity
Band and Show, one of the many Go-Go bands that defined the D.C. musical
scene. His family carries a musical tradition: his great-grandmother
played piano at local movie houses, her partner was Eubie Blake; his
mother is a visual artist and father played trumpet. Cary received a
formal education from Duke Ellington School of Art. As an emerging artist,
his circle of mentors included John Malachi, Mary Jefferson, Nat Turner.
By age 18, he found himself playing with the Dizzy Gillespie Youth Ensemble
at Wolf Trap. In the spirited style of D.C. jazz pianists like
Duke Ellington, Shirley Horn, John Malachi, Cary continues in that tradition
of innovation composition. Cary has played and recorded with an impressive
roster of musicians: Me'Shell NdegeOcello, Dizzy Gillespie, Betty Carter,
Arthur Taylor, Abbey Lincoln, Erykah Badu, Jackie McLean, Clifford Jordan,
Carmen McCrae, Milt Jackson, Curtis Fuller, Eddie Henderson, Arthur Taylor,
Frank Foster, Wynton Marsalis, Max Roach, Shirley Horn, Ani Difranco, among
a host of other talents. As Marc Cary evolves as an artist, is it clear that his
body of work will continue to expand with cerebral compositions and impressive
projects. It is evident that Cary lives as a true jazz musician would,
composing from the heart, approaching the music with an evident freedom
in his vision.
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